I admit to being, actually, a little short on inspiration for my series of Mary-posts. I am unsure of everything from how to title the posts to how to begin them! But I decided, nevertheless, to start with an artist whom I discovered when I was breastfeeding my daughter and came across the
Our Lady of La Leche shrine mentioned in an article. I forget now where the article was posted or published, but it was written by Marion Amberg about couples who, hoping for an end to their fertility problems, took pilgrimages to the shrine. After learning about this particular representation of Our Lady, I traced it on the internet and learned of the
Grotto of the Milk in Bethlehem with its interesting devotion. Then, I sought representations of the Virgin breastfeeding from throughout art history. I have a few favorites, among them this painting titled
Holy Family by Francisco de Zurbarán. I believe I found it on a site that sells posters, and since I was only intending it for personal use, I didn't think about recording the original site. But as long as nobody tells my composition students, it'll juts be between us!
I find this a particularly touching image. I like the portrayal of the affection that exists between the three members of the Holy Family. I also think that the involvement of Joseph in this intimate moment of feeding between Mother and Child is rather profound. It seems that the painted must have had an intimate knowledge of breastfeeding, as this is a very tender moment, not portrayed in a static manner at all. The naturalism of the scene is quite striking. Another interesting feature of the painting is that the figures seem to be clad in rather realistic and appropriate garments. I did find that this particular painter is from Extremadura--a rather arid and impoverished region of Spain, and the house and landscape does not appear too unlike the scenery in contemporary films set in Extremadura. Nevertheless, this is believable as a first century scene from the Middle East or northern Africa.
On a site called
Olga's Gallery, I discovered some
biographical information on Francisco de Zurbarán (there are some popups on the original site):
A highly original Spanish artist, Francisco de Zurbarán, until recently was not known beyond Spain. His works are rarely met in European museums and are highly appreciated by collectors.
He was born in Fuente de Cantos (Estremadura) into the family of a petty merchant. His professional training he received in Seville in 1616/17 in the workshop of Pedro Diaz da Villanueva. Then he settled near his birthplace to paint a large number of religious pictures for the monasteries and churches.
In Seville, where he settled in 1629, he became the leading artist. There he produced many altarpieces and decorated a number of monasteries with extensive fresco style cycles. In 1630-1645, Zurbarán executed a lot of paintings of different saints; they are evidence of his talent as a portraitist. They are usually separate figures in full height, with a dark or neutral background. These paintings were used for decoration of the churches and were hung on both sides of a central painting or altar. Zurbarán executed a series of such paintings for churches and also for the Hospital de la Sangre in Seville.
His style, with massively simple figures and objects, clear, sober colors and deep solemnity of feeling expressed in thickly applied paint, made him the ideal painter of the austere religion of Spain.
His fortunes fell with Murillo's rise. In 1658 he moved to Madrid, where he entered the Santiago Order. In order to support himself he had to become an art dealer, though he was not successful in business either. He died in Madrid in 1664 in poverty.
The site also includes a number of de Zurbarán's other paintings, including two of the Immaculate Conception. Most of those included on this gallery page are religious-themed paintings, with several depicting the Virgin Mary. An additional painting titled
The Virgin with Infant Christ also depicts Mother and Child breastfeeding. Again, there is a tenderness between mother and child that is very natural. The Infant reaches to caress the Mother's other breast while being held tight against His Mother. She glances down at him in utter absorbtion. Again, the dress of the figures suggests an idealized past rather than the artist's present. The figures are alone against a shadowy background with a nonspecific light source illuminating the upper left hand corner--enough to suggest the Light brought into the world by this woman who now nourishes Him at her breast. I may be wrong, but it appears that Mary even has a snack at her side to nourish her body in order to nourish her Child--a nice touch, if I am reading it correctly. Whether he is working with a model (as is likely) or from an ideal in his head, both Mother and Child remain consistent (to my eye) between the two paintings by de Zurbarán.
Bending low and cradling Him near,
Feeling his warmth and smelling his milky breath,
Mother of God, she feeds Him of herself;
And glancing into Joseph's tender eyes
She reaches him amid the baby's sighs.
I have been "pacing" my breastfeeding Virgin images, which I intended, though I had not intended to lose track of them for so long. Though there is a sensuality in the Madonna Lactans images, the sensuality is not to be confused with "sexuality," which was the subject of my past breastfeeding post. Rather, the sensual nature of mother-child contact is shown here in a sacred context, as the contact between mother and child is also the scene of the nurturing of the Son of God.
