Things come back to me. . .
I was asked by the committee if I would be comfortable teaching History of the English Language. Later in the day, after I was thoroughly discouraged, I nearly remarked to someone that I chose the literature track over creative writing when I was an undergrad because I didn't want to take History of the English Language. I got ornery as the day progressed. But I said at the time that I thought I had sufficient preparation from grad classes to teach it. I rather thought that this had been dropped from the phone interview, but whatever.
When I was speaking to the provost, he asked if I noticed anything lacking in the course offerings. I mentioned that it was impossible to tell how specialized the special topics courses were, and also that there did not seem to be a theory or literary criticism class, which I had to take as an undergrad. Maybe if the students were exposed to some other perspectives, they wouldn't rehash feminist readings of texts. Did I mention that the research in those papers was of the "big book of feminist quotes" variety? Yeah. . .
I was also asked by the committee how I became interested in film. Now I have two problems with this. First, that the obvious answer is. . . ummmm, by watching them? And also coursework. I did better than that. But the second is that some of the films I have become interested are Spanish films, introduced to me by my husband, and then by contacts that I met through him, because my husband is a participant in my intellectual life. So what does one do with that? Oh, some guy I know introduced me to Almodovar. Uh huh.
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